Soldered brass, 18 x 8 x 9, 2022.
“Helm of the First Horseman,” a 2022 brass sculpture by Ryan McCourt, draws upon rich symbolic imagery to provoke thought about its possible meanings. The title references the Four Horsemen of the Apocalypse, with the “First Horseman” traditionally associated with conquest or pestilence. This connection invites speculation on the themes of power, authority, and the societal impacts of global events.
Created in 2022, the piece might reflect contemporary global challenges, such as the COVID-19 pandemic, political upheaval, and environmental crises. The masked helmet, with its large hollow eyes, could symbolize the concealment of true intentions or the anonymity of forces that shape our world. The crown and globe atop the helmet suggest dominion and the immense burden of leadership in times of crisis.
McCourt’s choice of a wearable helmet form may imply that anyone could assume the role of the Horseman, indicating the universal nature of these themes and the potential for both individual and collective action. The sculpture invites viewers to reflect on the enduring relevance of historical and mythical archetypes in understanding and responding to contemporary issues.
Ryan McCourt 