Crushed cans, 12 x 12, 2006. The aerosol cans that these pieces are constructed from can be imagined narratively as the peripheral artifacts of creation, bearing more than a passing resemblance to a traditional painter’s flattened, empty metallic tubes of oil paint. Viewing the sculptures literally, this conception expands to represent the peripheral artifacts of … Continue reading Yankee Fan
Crushed cans, 12 x 10, 2006. The aerosol cans that these pieces are constructed from can be imagined narratively as the peripheral artifacts of creation, bearing more than a passing resemblance to a traditional painter’s flattened, empty metallic tubes of oil paint. Viewing the sculptures literally, this conception expands to represent the peripheral artifacts of … Continue reading Peacock
Crushed cans, 12 x 12, 2006. The aerosol cans that these pieces are constructed from can be imagined narratively as the peripheral artifacts of creation, bearing more than a passing resemblance to a traditional painter’s flattened, empty metallic tubes of oil paint. Viewing the sculptures literally, this conception expands to represent the peripheral artifacts of … Continue reading Painted Construction
Crushed cans, 12 x 12, 2006. The aerosol cans that these pieces are constructed from can be imagined narratively as the peripheral artifacts of creation, bearing more than a passing resemblance to a traditional painter’s flattened, empty metallic tubes of oil paint. Viewing the sculptures literally, this conception expands to represent the peripheral artifacts of … Continue reading Obituary
Crushed cans, 12 x 12, 2006. The aerosol cans that these pieces are constructed from can be imagined narratively as the peripheral artifacts of creation, bearing more than a passing resemblance to a traditional painter’s flattened, empty metallic tubes of oil paint. Viewing the sculptures literally, this conception expands to represent the peripheral artifacts of … Continue reading Inverted Construction
